Peinture rupestre, France.

The finger touches, explores, shapes. The hand follows, extending the intention. It presses, caresses, marks. In every manual gesture, there is an imprint that endures in the material. Know-how cannot be explained, it is transmitted, it is learned. Craftsmanship is a wordless language between the body and the material. The finger senses what the eye cannot see. It detects flaws, folds. It corrects, adjusts, repeats.
The hand becomes a tool. This gesture is ancient. Primitive. To knead, to carve, to engrave. A movement inherited from the first fires, the first carved stones. In every trace left behind, a discreet signature. The manual is a slow world, where the hand thinks, where the gesture speaks.

"Doigt 1" Plate
D30 cm_Glazed ceramic

"Doigt 2" Bols
D20/15/12/7 cm_Glazed ceramic

"Doigt 4" Vases
H15/10/9/8/5 cm_Glazed ceramic_Collaboration with Dominique Mercadal.