Agafay desert, Morocco.

The snail glides silently, carrying its home. Its shell, its spiral, is a shared architecture, echoing that of its kind. It moves without haste, indifferent to urgency, imposing the rhythm of observation, of silence, of attention. It teaches us to accept that time can be shaped, like a material to sculpt. Its abandoned shell becomes the ruin of a vanished body.
L’escargot glisse sans bruit, transportant sa maison. Sa coquille, sa spirale, est une architecture partagée, en écho discret à celle de ses semblables. Il avance sans se presser, indifférent à l’urgence, imposant le rythme de l’observation, du silence, de l’attention. Il nous apprend à ralentir, à accepter que le temps peut être une matière à sculpter. Sa coquille délaissée devient la ruine d’un corps disparu.



"Caracol 1" Set of sculptures.br>Recycled polystyrene, sand, paint, snail shell.
"Caracol 1" Set of sculptures.
On display in a project of Studio KO in Morocco.


"Caracol 2" Sculpture.
Recycled polystyrene, sand, paint, snail shell.
"Caracol 2" Sculpture.
On display in a project of Studio KO in Morocco.