Bagan, Myanmar.

Gold ignites the imagination. Its warm glow seems to contain the sun itself. From the Inca Empire to the Mayan cities, many civilizations have revered gold, attributing to it a sacred dimension, a connection to the divine. Why such importance? After all, it is just one geological extract among many. These fake nuggets reflect our fascination with appearances, revealing the boundary between reality and illusion. The fake becomes more than a deception; it questions our complex relationship with beauty and truth.
L'or enflamme l'imagination. Sa lumière chaude semble contenir le soleil lui-même. De l'Empire inca aux cités mayas, nombreuses civilisations ont vénéré l'or, lui attribuant une dimension sacrée, un lien avec le divin. Pourquoi une telle importance ? Après tout, il n'est qu'un extrait géologique parmi tant d'autres. Ces fausses pépites reflètent notre fascination pour les apparences, révélant la frontière entre réalité et illusion. Le faux devient plus qu'une supercherie, il questionne notre relation complexe à la beauté et à la vérité.



"Goldmine 1" Sculpture
Recycled polystyrene, sand, paint
"Goldmine 2" Sculpture
Recycled polystyrene, sand, paint
"Goldmine 3" Sculpture
Recycled polystyrene, sand, paint


"Goldmine 4" Sculpture
H20 cm_Recycled polystyrene, sand, paint
"Goldmine 5" Sculpture
H19cm_Recycled polystyrene, sand, paint
"Goldmine 5" Sculpture
Recycled polystyrene, sand, paint



"Goldmine 6" Sculpture
Recycled polystyrene, sand, paint
"Goldmine 7" Set of sculptures
Recycled polystyrene, sand, paint
"Goldmine 7" Sculpture (part of a set)
On display in a project by SOURCE Architecture



"Goldmine" Ring
Size 60_Golden brass
"Goldmine" Ring
Size 60_Golden brass


Kyayktyo, Myanmar.


"Goldmine 2" Painting.
H35 L60 cm_Wood, polystyrene, sand, paint.
"Goldmine 1" Painting.
H50 L40 cm_Wood, polystyrene, sand, paint.